Panduan Cepat Hamil - Dream is the flower bed. But dreams are sometimes present in a sinister way. An experience is not exclusively about the horror spirits, faerie, and a variety of things mystical. He could also emerge as an impact on the daily terror. Nature of our minds alone are able to overcome that fear.
The message was about to be submitted by Muhammad Taufik, Tiar Sukma Perdana, and Marendra Surya Ningtyas, three young artists who are members of Community Manual or Dead, in a painting exhibition titled "Twisted", which was held at the National Gallery of Indonesia, Jalan Merdeka Timur 14, Jakarta, 20 to 30 April 2010.
In the exhibition's curator, Ade Darmawan, the trio does not only share their personal nightmare, but also challenge and encourage the visual interpretation to the limits of fear and a sense of comfort. With hand-drawing techniques or manul - typical of the artists Community Manual or Dead - they present the figures that made the unusual shudder: the mutilated body, skinned face, and blood scattered everywhere.
Look barium watercolor painting titled Fashion-stigma work of Muhammad Taufik. With his experience as a freelance designer and illustrator in various media, the painter was 31 years pose the usual fashion model who appears in various lifestyle magazines. With detailed and illustrative techniques that are powerful, beautiful faces and gorgeous that no one is left smooth. Someone pulled her eyelids tightly, there is also a pose while skinning some facial skin with pliers until loose.
Other works of artists who are familiar also called Em Te no less horrific. In view of black-white color, he painted a girl who was playing the swing in a large tree limb. The rope swing was attached to his face until the skin off, exposing muscle and meat fresh.
-Torn face is also visible in the painting titled Nightmare. The painting consists of several family portraits, complete with his children, it was as if the exhibition invites visitors to enjoy nightmares about the family through the distorted photo image. Just do not exfoliate facial skin, eyes wide with protruding tongue, and even cracked a few heads with fresh blood flying.
"He is expressing a hidden abnormality of a family photograph that has always been a representation of a construction of a centralized and controlled," the curator explains Ade Darmawan.
Nightmares about the fear was unfolded Tiar Sukma with human figures and animal skinning in the works of painting. Man and star in his paintings appear with the skin was torn to the bone, muscle, and organs in her body looks, as illustrated in his painting titled Alcohol, Dagger, and gold and four paintings titled Wild savage wolves.
Brisik band, a homage to grind core, it also shows that there is horror in most people's minds about the position or profession that is almost never a concern in the community, such as clowns, snake dancers, and circus. In Red Nose, he displays his own face with makeup, a clown, complete with a round red nose. The paintings are arranged into three panels, he displays three clowns face as a terror: facial grimace, grin face without skin, and face without skin and eyeballs. "We did not meet every day with figures, but we have many images and stereotypes about the foreignness, strangeness, and even fear it," said Ade.
Surya Marendra Ningtyas, 29 years, also offers a bad imagination through the display of two U.S. entertainment industry product icons, Superman and Mickey Mouse. Mickey Mouse, which usually appear funny and witty, he was transformed into a figure of evil and sadistic in the work of Do not Make Me Angry (Do not make me angry). There seemed the favorite cartoon character that kids carry knives covered in blood next to a child who was lying with blood streaming down. Superman is another thing. Reren with the "naughtiness" makes his superhero character that looks for the elderly in a wheelchair, weak helpless.
Ade said, there is a strong mode of appropriation of the three artists. "They take an existing image in the public sphere with a load of memories and realities, and then questioned again by turning the original idea, damage, and further make angry," he said.
Yes, make angry, because it makes us who enjoy those works become difficult to put thoughts and our feelings with exposure to images and images collide in contrast. Even the extreme, real and illusory, harassing and threatening, but at the same time beautiful.
The message was about to be submitted by Muhammad Taufik, Tiar Sukma Perdana, and Marendra Surya Ningtyas, three young artists who are members of Community Manual or Dead, in a painting exhibition titled "Twisted", which was held at the National Gallery of Indonesia, Jalan Merdeka Timur 14, Jakarta, 20 to 30 April 2010.
In the exhibition's curator, Ade Darmawan, the trio does not only share their personal nightmare, but also challenge and encourage the visual interpretation to the limits of fear and a sense of comfort. With hand-drawing techniques or manul - typical of the artists Community Manual or Dead - they present the figures that made the unusual shudder: the mutilated body, skinned face, and blood scattered everywhere.
Look barium watercolor painting titled Fashion-stigma work of Muhammad Taufik. With his experience as a freelance designer and illustrator in various media, the painter was 31 years pose the usual fashion model who appears in various lifestyle magazines. With detailed and illustrative techniques that are powerful, beautiful faces and gorgeous that no one is left smooth. Someone pulled her eyelids tightly, there is also a pose while skinning some facial skin with pliers until loose.
Other works of artists who are familiar also called Em Te no less horrific. In view of black-white color, he painted a girl who was playing the swing in a large tree limb. The rope swing was attached to his face until the skin off, exposing muscle and meat fresh.
-Torn face is also visible in the painting titled Nightmare. The painting consists of several family portraits, complete with his children, it was as if the exhibition invites visitors to enjoy nightmares about the family through the distorted photo image. Just do not exfoliate facial skin, eyes wide with protruding tongue, and even cracked a few heads with fresh blood flying.
"He is expressing a hidden abnormality of a family photograph that has always been a representation of a construction of a centralized and controlled," the curator explains Ade Darmawan.
Nightmares about the fear was unfolded Tiar Sukma with human figures and animal skinning in the works of painting. Man and star in his paintings appear with the skin was torn to the bone, muscle, and organs in her body looks, as illustrated in his painting titled Alcohol, Dagger, and gold and four paintings titled Wild savage wolves.
Brisik band, a homage to grind core, it also shows that there is horror in most people's minds about the position or profession that is almost never a concern in the community, such as clowns, snake dancers, and circus. In Red Nose, he displays his own face with makeup, a clown, complete with a round red nose. The paintings are arranged into three panels, he displays three clowns face as a terror: facial grimace, grin face without skin, and face without skin and eyeballs. "We did not meet every day with figures, but we have many images and stereotypes about the foreignness, strangeness, and even fear it," said Ade.
Surya Marendra Ningtyas, 29 years, also offers a bad imagination through the display of two U.S. entertainment industry product icons, Superman and Mickey Mouse. Mickey Mouse, which usually appear funny and witty, he was transformed into a figure of evil and sadistic in the work of Do not Make Me Angry (Do not make me angry). There seemed the favorite cartoon character that kids carry knives covered in blood next to a child who was lying with blood streaming down. Superman is another thing. Reren with the "naughtiness" makes his superhero character that looks for the elderly in a wheelchair, weak helpless.
Ade said, there is a strong mode of appropriation of the three artists. "They take an existing image in the public sphere with a load of memories and realities, and then questioned again by turning the original idea, damage, and further make angry," he said.
Yes, make angry, because it makes us who enjoy those works become difficult to put thoughts and our feelings with exposure to images and images collide in contrast. Even the extreme, real and illusory, harassing and threatening, but at the same time beautiful.
Gambar Lucu
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